August 2010
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art vs. music
BHDB: So you would be quite if - as Rothko demanded for his own work - someone were to fall on their knees in front of one of your paintings and burst into tears?
GR : Unfortunately painting can’t produce such an effect. Music is better off in this respect.
interview between benjamin h.d. buchloch and gerhard richter, 1986, reprinted in gerhard richter : the daily practice of...
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Mark McKinney, Dave Foley, and Scott Thompson on... →
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soft sculpture exhibition catalogue (pdf) →
with pictures. in color.
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“It was formica which touched it off. Formica, the great ugly material, the...”
– richard artschwager, as quoted in jan mcdevitt, “the object : still life. interviews with the new object makers, richard artschwager and claes oldenburg, on craftsmanship, art, and function,” craft horizons, 25, pg. 54
ps
if anyone can find this full article and somehow send it...
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names:
toos van kooten (dutch curator)
cennino cennini (italian painter after giotto, c. 1370 – c. 1440)
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“Gawker writes, “I’m not going to say that the people on this show...”
– ‘market forces’ by tom mccormack
encountered via artfagcity
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all that i want to be / all that i want to see →
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claes oldenburg
David Sylvester : [Y]ou hadn’t been working for many years when you started doing the signs?
CO: I hadn’t been visible for many years, shall we say. I had been working for about ten years, preparing myself in many ways. But you know how it is. All of a sudden you arrive with something which makes you visible.
DS: Had you done any art school training?
CO: I did go to the Art...
