womenfolk teaset (1930)

nikolai suetin

futurist suit (1918)

giacomo balla

Costume for a squid, c 1916 from Sadko

Natalia Goncharova

Tunic from costume for the Blue God, c 1912 from Le Dieu Bleu

Léon Baskt

costume for les ballet russes de serge diaghilev

giorgio de chirico (collaborating with george balanchine)

Reproduction of a gaming board

Commissioned from Emile Gilliéron 

bowl with musicians

mid 13th century iran

bowl

late 12th  - early 13th century iran

Limited edition print published in conjunction with the exhibition Pablo Bronstein: Sketches for Regency Living.

gunta stölzl

gunta stölzl

gunta stölzl

“When fashion editors were given an intimate viewing of Alexander McQueen’s final collection in Paris this past spring, this dress was not part of it. Perhaps the last piece touched by the designer’s hands, it was made by McQueen especially for his longtime friend Annabelle Neilson, and its only outing has been to Elton John’s White Tie and Tiara Ball in June. Neilson was notorious for wearing McQueen’s clothes and she did so with a fierceness befitting her status as his muse. A sheer black jumpsuit from 2006, a mere figment of McQueen’s imagination that left nothing to anyone else’s, generated reams of chatter and flaunted the designer’s devilish streak. Indeed he was often heralded as fashion’s enfant terrible No. 1. But in this simply elegant silk charmeuse gown with its collar of silvered feathers, Neilson appeared as the vision of an angel.”

from the ny times t magazine, august 16th 2010